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The Waiting Between 21 Days

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8月20日
讀畢需時 4 分鐘

已更新:8月21日

When I first noticed Uncle Zhang, he was sitting alone beneath the television in the waiting area beside the piano. He wore a faded baseball cap pulled low over his forehead. Around him, people drifted in and out of the lobby—families carrying lunch boxes, volunteers in red vests, nurses hurrying past—but he remained still, as though he had become part of the furniture after returning to this hospital too many times to count.

He was sixty-seven, from Xinyu in Jiangxi. The cancer had followed him for nearly a decade. Unlike many of the caregivers I had spoken with downstairs, Uncle Zhang had no one sitting beside him that afternoon. His son had visited two days earlier before returning home. His wife stayed behind to look after their grandson. His daughter worked at a translation school and rarely had time to come. Most days, he managed everything himself. "I can still take care of myself," he said with a shrug. It was not pride so much as necessity.

When I asked about chemotherapy, he answered without hesitation. "People always say younger people recover faster," he said. "But once you really get sick, your body still can't take it," He explained chemotherapy the way someone who had endured it repeatedly would—not through medical terminology, but through experience, "It kills cancer, yes. But anything powerful enough to kill also hurts the body." There was no anger in his voice. Only resignation.

Every treatment came in twenty-one-day cycles. Every three weeks he returned to the hospital, stayed for several days of infusions, waited for blood tests, waited for scans, waited again for doctors to decide whether he could go home. Life, for him, had become something measured not by seasons or holidays, but by chemotherapy cycles. Twenty-one days. Again. And again.

I asked where he usually ate. "The cafeteria," Then he laughed softly, "It's too salty." The complaint sounded almost trivial after everything we had discussed, but perhaps that was exactly why it mattered. Cancer changes the scale of everyday life. Something as ordinary as seasoning becomes another reminder that nothing quite feels familiar. "The food here doesn't suit people from Xinyu," he said. "Our cooking isn't this salty."

There was another kitchen where patients could cook for themselves, he told me, but preparing meals alone was exhausting. Washing vegetables, cooking, cleaning pots—it was too much work for one person already worn down by treatment, "Young people don't want to spend time doing all that anymore." He wasn't criticizing them. He was simply describing reality.

Eventually we began talking about money. "Treatment costs money everywhere," he said, "Without several tens of thousands of yuan, you can't keep going." His rural medical insurance covered about sixty percent of the expenses. Better than nothing, but far from enough. One injection alone cost more than six thousand yuan. He said the numbers almost casually, as if they had become another routine calculation, no different from checking the weather. After years of illness, even overwhelming expenses begin to sound ordinary.

I asked whether patients on the ward talked to each other. "It depends." Some people exchanged stories about side effects, recommended doctors, compared blood test results. Others stayed silent. He understood both kinds. Conversation, like treatment, wasn't something everyone could endure every day.

He told me about traveling to Shanghai the previous year to see a famous specialist. Appointments cost hundreds of yuan and were difficult to secure. Yet after all that effort, the consultation was often handled mostly by younger doctors or assistants. The senior specialist would arrive only briefly to confirm the plan before moving on to the next patient, "But that's just how hospitals work," he said. He didn't sound disappointed. Just realistic. "The assistants graduated from medical school too. Some are experienced. Some aren't. The expert can't possibly see every patient personally." There was no bitterness in his explanation—only the quiet understanding of someone who had spent enough years inside hospitals to know how they functioned.

As we talked, music drifted across the lobby. Someone had begun playing the piano again. The melody floated over the waiting area, soft enough that people didn't stop what they were doing, yet clear enough to settle gently into the spaces between conversations. Uncle Zhang paused for a moment. Neither of us said anything. The music did not erase the chemotherapy schedule waiting for him, nor the hospital bills, nor the uncertainty of another cycle twenty-one days later. It simply existed alongside them.

When I finally stood to leave, Uncle Zhang nodded politely. He did not offer words of hope, nor did he speak of miracles. Instead, he left me with something much quieter: the image of a man who had learned to organize his life around treatments, hospital corridors, insurance reimbursements, and cafeteria meals that were always a little too salty.

Not every cancer story is heroic. Some are stories of endurance. Of returning every twenty-one days. Of listening, for a few minutes, to a piano that makes the waiting feel just a little less long.


 
 
 

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